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| Eli Wallach | Tuco | |
| Clint Eastwood | Blondie | |
| Lee Van Cleef | Sentenza / Angel Eyes | |
| Aldo Giuffrè | Alcoholic Union Captain | |
| Luigi Pistilli | Father Pablo Ramirez | |
| Rada Rassimov | Maria | |
| Enzo Petito | Storekeeper | |
| Claudio Scarchilli | Bounty Hunter in Ghost Town | |
| John Bartha | Sheriff (as John Bartho) | |
| Livio Lorenzon | Baker | |
| Antonio Casale | Jackson / Bill Carson | |
| Sandro Scarchilli | Deputy | |
| Benito Stefanelli | Member of Angel Eyes' Gang | |
| Angelo Novi | Monk | |
| Antonio Casas | Stevens | |
| Aldo Sambrell | Member of Angel Eyes' Gang | |
| Al Mulock | One-armed Bounty Hunter (as Al Mulloch) | |
| Sergio Mendizábal | Blonde Bounty Hunter (as Sergio Mendizabal) | |
| Clint Eastwood | Joe | |
| Lee Van Cleef | Sentenza | |
| Antonio Casale | Jackson/Bill Carson |
| Director |
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| Producer | Alberto Grimaldi
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| Writer | Sergio Leone
Agenore Incrocci |
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| Cinematography | Tonino Delli Colli
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| Musician | Ennio Morricone
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For Three Men The Civil War Wasn't Hell. It Was Practice!By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good The Bad And The Ugly is an engrossing action shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers to pursue a cache of $20,000-and letting no one, not even warring factions in a civil war, stand in their way. From sun-drenched panoramas to bold hard close-ups, exceptional camera work captures the beauty and cruelty of the barren landscape and the hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before, and has never been matched since, The Good, the Bad and the Ugly shatters the western mold in true Eastwood style. |
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Features
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