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| Al Pacino | Don Michael Corleone | |
| Robert Duvall | Tom Hagen | |
| Diane Keaton | Kay Corleone | |
| Robert de Niro | Vito Corleone (as Robert DeNiro) | |
| John Cazale | Fredo Corleone | |
| Talia Shire | Connie Corleone | |
| Lee Strasberg | Hyman Roth | |
| Michael V. Gazzo | Frankie Pentangeli | |
| G.D. Spradlin | Senator Pat Geary | |
| Richard Bright | Al Neri | |
| Gastone Moschin | Don Fanucci (as Gaston Moschin) | |
| Tom Rosqui | Rocco Lampone | |
| Bruno Kirby | Young Peter Clemenza (as B. Kirby Jr.) | |
| Frank Sivero | Genco Abbandando | |
| Francesca De Sapio | Young Mama Corleone (as Francesca de Sapio) | |
| Morgana King | Mama Corleone | |
| Marianna Hill | Deanna Corleone (as Mariana Hill) | |
| Leopoldo Trieste | Signor Roberto | |
| Dominic Chianese | Johnny Ola | |
| Amerigo Tot | Michael's Bodyguard | |
| Troy Donahue | Merle Johnson | |
| John Aprea | Young Sal Tessio | |
| Joe Spinell | Willi Cicci | |
| James Caan | Sonny Corleone | |
| Abe Vigoda | Sal Tessio | |
| Tere Livrano | Theresa Hagen | |
| Gianni Russo | Carlo Rizzi | |
| Maria Carta | Vito's Mother | |
| Oreste Baldini | Vito Andolini as a Boy | |
| Giuseppe Sillato | Don Francesco 'Ciccio' | |
| Mario Cotone | Don Tommasino | |
| Robert de Niro | Vito Corleone | |
| G.D. Spradlin | Sen. Pat Geary | |
| Gastone Moschin | Don Fanucci | |
| Bruno Kirby | Peter Clemenza | |
| Francesca De Sapio | Young Mama Corleone |
| Director |
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| Producer | Gray Frederickson
Fred Roos |
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| Writer | Mario Puzo
Francis Ford Coppola |
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| Cinematography | Gordon Willis
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| Musician | Nino Rota
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Francis Ford Coppola's compelling sequel lives up to - and even eclipses - the brilliance of The Godfather, contrasting the life of Corleone father and son. In parallel story lines the movie traces the problems of a matured Michael Corleone (Al Pacino) in 1958 and that of young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Vito is introduced to a life of crime by two-bit hood Clemenza (Bruno Kirby) while Michael survives an attempt on his life, familial betrayals, and Senate hearings ... but at a cost. De Niro, speaking almost completely in Italian, is charismatic as the young Don, a Robin Hood-type figure. |
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